Saturday, April 28, 2007

Coming Attractions

I don't think I ever formally got tagged for this one, but it was a nice way to kill some time and procrastinate a little longer.

If your life were a movie, what would the soundtrack be?

1. Open your music library (iTunes, Winamp, Media Player, iPod, etc).
2. Put it on shuffle.
3. Press play.
4. For every question, type the song that's playing.
5 . When you go to a new question, press the next button.
6. Don't lie and try to pretend you're cool.

Opening credits: The Decemberists, "Clementine"I’m not sure I’ve actually listened to this song before, but it’s pretty slow and mellow and a little bitter. The kind of song that should be playing over a cold, late-fall panning shot of mostly-bare trees shedding dead brown leaves over a deserted suburban street. Like "what if American Beauty’s opening shot was filmed in November." It does not bode well for the tone of the film.
Incidentally, Colin Meloy (the lead singer, who I love dearly) says at one point "I’ll play the clarinet," which is the instrument that I ruefully played for my three years of band. Score one for the Windows Media Player shuffle.

Waking up: Pinky & The Brain, "The Parts of the Brain" Wouldn’t this be better for the first day of school? Brain and Pinky are singing the various parts of the brain to the tune of “Camptown Ladies.” As fun as this song is, I am certainly not this cheery in the morning.

First day of school: Mojo Nixon, "Disney is the Enemy" Another song I’ve never heard (there’s a large component of music on my hard drive stolen from various roommates, people on networks, and blindly downloaded from artists I like). Mojo’s railing against corporate, capitalist, hegemonic McSociety. I guess this could work for a first day of school.

Falling in love: The Killers, “Sam’s Town” I actually haven’t listened to either of the Killers’ full albums, just the singles on the radio. I really like those songs, and I’m digging this one too. I really should take some time to listen to these all the way through. Lyrics like "I've got this energy beneath my feet / Like something underground's gonna come up and carry me / I've got this sentimental heart that beats, / But I don't really mind that it's starting to get to me now" and "Oh, have you ever seen the lights?" are nicely relevant for falling in love, and it’s a nice, upbeat, optimistic song. Score two for the playlist.

First love song: Phish, with a live cover of "I Think We’re Alone Now I think that speaks for itself. Three points for the shuffle.

Breaking up: They Might Be Giants, "Cowtown" While this is a neat, upbeat song, it’s one of my least favorite tracks on TMBG’s second album. That’s whatever the opposite of "damning with faint praise" is, because "Lincoln" might be my favorite out of TMBG’s albums, and all the tracks are fantastic. I could see this as a break-up that has left our hero so lonely and upset that he retreats into a fantasy world. Like Homer Simpson, he feels that all his problems would be left behind if he just "lived beneath the ocean." Of course, he has to come to the realization that "our only home is bone"—is the real world—and so he returns to sanity.
I would totally stage this as a crazy, classic, “Incredible Mr. Limpet”-style animation-plus-live action sequence.

Prom: Oh Jesus, why? Okay, so there’s this Christian band, ApologetiX, and they do musically inept conservative Christian parodies of secular songs. They’re never funny, they’re never interesting, they’re usually plagued with really, really poor musicianship, and they’re great fodder for ridicule on slow days. Needless to say, I’ve got quite a few of them rotting on my hard drive, and the one which came up here is "Corinthians", a slowed-down, scansion-impaired send-up of some Linkin Park garbage (I tried so hard and got so far, etc.) rewritten to lament the fallen state of lewd, godless modern culture. It is thus doubly awful, and is like a microcosm of how much the music sucked at the five proms I’ve been to. And now, I’m turning it off.

Mental Breakdown: Presidents of the United States of America, "We Are Not Going to Make It" That’s a mouthful, but it’s a damn good song. It’s self-deprecating, while also being fun and upbeat. The band claims that they don’t have the talent or skills to make it in the industry, and I could see that being a nice mental breakdown message. Plus, songs for breakdowns should always be entertaining and upbeat.

Driving: Frankie Valli, "Grease" Because you know, there aren’t any better songs from that musical for driving. Oh well, I can’t argue with this; it is the word, after all.

Flashback: Jill Sobule, "Soldiers of Christ" A bitter send-up of right-wing Christianity and their quest to get back to "the way it used to be / The way it ought to be," a golden age "Before emancipation / Before Roe and Wade / Before they taught the little children / That they evolved from apes." Great for an anrgy flashback.

Getting back together: The Stingers, "Destiny" I can’t imagine more than one or two readers will see how pathetic this is without me explaining it, but someone’s out there laughing his or her ass off. This is a song from the third band on the ‘80s cartoon "Jem." Making this, so far, the most embarrassing song on the list.
But with lyrics like "you and me, it’s destiny / fate is on my side," at least it’s fitting.

Wedding: Jackson Browne, “Lawyers in Love” Well, it’s got the love part right, but lawyers? This is a weird song, and reminds me more of a Moxy Früvous song than anything I know by Jackson Browne. I guess it’s somewhat fitting, what with all the paperwork that goes along with marriage.
One of the lines in this goes "God sends his spaceships to America, the beautiful." I really have to wonder, what does God need with a starship?

Birth of Child: Black Crowes, “She Talks to Angels” Ugh, I very dislike this song. That doesn’t seem like it’d be a good attitude to have toward my children.

Interlude: Red Dwarf, "Potato King," An audio clip of the following scene from the episode "Quarantine," where holographic crewman Rimmer gets a virus and goes just a little bit insane.

It’s not much of a backdrop for a final battle, and it’s a spoken-word thing, so I figured I’d mention it and skip ahead to the next song.

Final Battle: James, "Tomorrow" Hm, I haven’t heard this in a long time. It seems more like a training montage or “rushing through the airport to catch the lost love before she catches the plane and flies out of your life forever” song. Maybe this battle would be more figurative, a struggle to overcome insurmountable odds and let love triumph...at least until tomorrow. Damn, I’ve got to start listening to James again.

Death Scene: Oh, perfect. The Rolling Stones, "Paint it Black" Man, I couldn’t have done that any better if it were intentional. Score 4, playlist.

Funeral song: Save Ferris, "Christmas Wrapping" The punk band’s tongue-in-cheek fatigued Jewish parody of the Waitresses’ vaguely monotone pop-Christmas song. While I want my funeral to be happy and upbeat, I don’t think this is quite what I’d choose. In fact, 5 or 6 songs later into this listening, Media Player hit up one song I know will be played at my funeral, "Baby Got Back."

End Credits: Goo Goo Dolls, "Acoustic #3" Another downbeat song, kind of returning the film to the note it began on. I’d hope “they’re not listening anyway” isn’t really a coda on my life, though.

So, it seems my life would make a strange, up-and-down movie, ending on the “down.” But I think the animated sequence in the middle would kind of balance out the depressing bits. And I like the idea of my climax being a cliché race through the airport.

Brutal honesty

I don't get Friday Night Fights. It'd be awesome if someone explained the joke to me.

Even though it wouldn't be funny anymore. I just feel left out.

*Frowny Face*

That being said, I do understand this:

Wednesday, April 25, 2007

Mumm-Ra, all alone in the moonlight

When I was a kid, I thought that this:
Private eyes, they're watching you!
...was based on this:
Hooooooooooo!
Finding out otherwise is the main reason why I'll never see the former.

Tuesday, April 24, 2007

Always Batlove...

Who does Mary love?
Mary loves Memes!

But what's that in her picture?
BM + WC 4EVER


Oh, I see. Mary loves teh Internets.

Via Sleestak, Random Panels, and Dorian.

Edit: Oh, Mary. Someday you'll find your perfect match. Call it a hunch.
Mary's turn-ons include talking gorillas, crayon art, and the word 'awesome.'

Saturday, April 21, 2007

War Correspondence

From a recent IM conversation between me and my supplier. I'm only posting the parts that make me look awesome, because I don't want my readers to see how schooled I get on a regular basis. If Eric wants to look so good, he's got his blog.

Me: But I think the worst part about the J'onn story arc is that it's like a microcosm of the Penance thing
Eric: hm
Eric: yes, you're right
Eric: and that would explain our distaste for J'onn OYL anyway
Me: With Penance, Robbie spent eight or so issues denying his guilt and proclaiming his innocence, then suddenly went emo and angry
Me: lol
Me: In this, J'onn spent three issues contemplating the horrible things mankind does and their lies and dishonesty, but then is reminded of their courage, bravery, and willingness to fight, and so he joins with them again
Me: and then, two weeks later, he hates people and is all disenchanted with humanity
Eric: yeah
Eric: it's like Black Adam beat all the empathy for human beings out of J'onn
Me: yeah
Me: but then, why would he be smiling (I think) on the last page?
Eric: hm
Me: Man, I just hope this is the last we see of that god-awful costume
Eric: maybe his miniseries was a joke?
Me: lol
Me: it was a joke
Eric: yes, yes
Me: the punchline is "Trials of Shazam"
Me: I think "The Creeper" is a one-liner
Eric: LOL

...

Eric: it was a really good week
Eric: just, World War III
Eric: man, that could have been something
Me: yeah
Me: I think WWIII ends up being a marvel of compressed storytelling
Me: because they managed to cram an entire universe-spanning, 6-month crossover into 5 books
Me: you have the one core title that makes sense
Me: and then the peripheral books that unnecessarily expand on and contradict the core title, while addressing pointless continuity issues that no one cares about
Me: it's really kind of beautiful, in a train wreck sort of way
Eric: LOL
Eric: wow
Eric: great point
Me: If Civil War had crammed all its incoherence into 5 issues, I might have liked it.
Me: well, not liked
Me: but not so actively loathed
Eric: word

Friday, April 20, 2007

Cut a guy some slacks!

Just think of baseball.All right, everybody just lay off Citizen Steel, okay?

Look, you know how it is. It's your first time in spandex, you're getting your picture taken, you're a little excited, a little nervous, and this sort of thing just happens. It's not like you can control it. And you know, the more you think about it, the worse it gets.

I mean, it's not like he could just hold his textbook in front of himself, y'know?

So give him a break. I mean, the only alternative is that it's some kind of creepy narcissistic thing, like that scene in "American Psycho." And that kind of conduct doesn't really fit a superhero.

And yet, it's less blurry than the Pam and Tommy Lee video.

Oh.

That...that's not right.

So, who's the Seventh Legionnaire?

Hey kids, Spoilers!
New Player Unlocked!
We know Star Boy/Starman and Karate Kid for sure. We saw Dream Girl an issue ago. If you know your Interlac, then you recognized that what Starman said to Karate Kid was "Lightning Lad."

By the way: recognizing and being able to read Interlac may represent a new achievement in geekiness for me. Even scarier, it may not.

That's four. The "white angel" is almost certainly Dawnstar, who we've seen at least once at this point, and the howling "wolf" is probably Timber Wolf. That leaves one more. Who do you think it is?

My money's on Shrinking Violet, based on Starman's "itsy bitsy" comment. Then again, that "C-sharp" comment keeps sticking out to me. I know it's attributed to Dawnstar, but could it be a reference to Tyroc?

Actually, no, it's probably Vi. What a strange team. Thoughts?

Thursday, April 19, 2007

So, yeah...

World War III kind of sucked.

Spoilers ahead.

I mean, it was all over the place. First, 52 #50 was fairly decent (albeit haphazard), but then it went and stole its ending from a Futurama episode. And what was Black Adam's motivation? I mean, I thought they were getting somewhere with Atom Smasher saying that it was actually Death who killed everyone in Bialya, but then Adam kind of ruins that case by throwing a global hissyfit. Yes, we realize you got tortured and betrayed and you're upset. What the hell does Pisa, Italy have to do with it?

And then there's the specials, which were doubly unnecessary. Not only did we not need them to understand the War (and in many cases, I understood it better before I read them), but their entire purpose was to answer questions, about half of which no one was answering. And even then, they fouled it up left and right. I could totally accept that Supergirl got emo-fied by passing through suffering-wracked Martian Manhunter, but he said he sensed her turmoil (or something) before she touched him. Why have Kid Frankenstein die, when he's already made of dead body parts? Didn't the elder Frank lose a limb or two in his miniseries without ill effects? Why raise Sub Diego? I haven't read the latest Aquaman issues, but I thought the city was coming back into play (besides being a downright neat idea). We already had an explanation for why Batgirl went nutso, why have Slade approach her? Is there a reason that we can't just assume he was controlling her from the start? Did we really need two "Adam fights the Titans and kills one" scenes? Couldn't there have been some back-and-forth about how they were friends with Osiris, how they lost him too? Or maybe BA could have torn through some other team, rather than the Titans? Was anyone honestly asking "whatever happened to Terra II, who actually turned out to be a genetic match for the regular Terra but GeoForce didn't tell her and I don't think they ever picked up that plot point again"? Because, you know, I might have cared a little more if this hadn't been, like, her first appearance in years. Did J'onn really need to out himself to his co-workers? Was he really in such an existential crisis that "saving lives" was a tough choice? Isn't King Faraday's hair supposed to be white with a black streak? And if not, why not? Because it looks much more interesting that way. If J'onn's pain and suffering were so great before, why was he so affected by Adam's? After all this, after his big sweeping epiphany that humans are both good and bad, why does J'onn end up Mr. "I hate everyone and I'm sooooo deep" OYL? And I swear, the artistic mistakes and continuity errors were all over. At the very least, they should have been clear on who all was holding on to BA when Captain Marvel brought the lightning down on 'im.

And after all that, isn't this the week that Animal Man saw a few weeks back? Why foreshadow a specific event in a specific week if you're not going to address it?

So, yeah. I've been with 52 pretty much the whole way. There have been lulls, but never a misstep quite this bad. And so close to the end, too. Ah well, next week looks like oodles of T.O. Morrow. Booster Gold, and Rip Hunter, and it's hard to go wrong with that.